William and Mary: 1689-1702

During this period Dutch and French design were the strongest influences, due to close commercial ties and the migration of skilled craftsmen to England, particularly refugee Hugenots.

Key features: gilding, upholstery in fine silks, marquetry, lacquer and boulle; generally a pronounced tendency towards curvilinear structures such as bun feet, serpentine shapes, and (from 1700) spooned chair uprights designed to fit a person's back.

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